Or maybe you still love it, but now you have a different perspective.
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I think it’s really interesting how people interpret music completely different than other forms of art. People sometimes assume the worst instead of realizing that the singer is speaking from another perspective. So for example if a writer has a first person perspective of a killer/rapist you wouldn’t make an association that the author is anything of the sort. But if they wrote a song and sang it then people would question if they really felt that way. Polly is a great example. By many accounts (Kathleen Hanna , Kim Gordon) Cobain championed feminism and woman’s rights but the lyrics of Polly are brutal and from the perpetrator view. Randy Newman’s - Rednecks is a tough one to listen to. You can understand how it is trying to point out ignorance and racism like Blazing Saddles but it’s sung in first person and should never be played in a public setting. Oingo Bongo’s - Little Girs was always a bit creepy now seems to age poorly the more time has gone on. Minor Threat - Guilty of being white is a tough listen because you know racist people think this is a rallying cry instead of the emotionly reaction from a a teenage kid who was bullied in highschool for being white.
If you know anything about the history of punk music and east coast hardcore, Ian MacKaye was clearly one of the most principled people in the scene, and a genuinely good and decent person. So it’s really weird to hear that people ever got the weird idea that he was pro-racism or something.
Then again, The Dead Kennedys had to make “Nazi Punks Fuck Off” because they were sick of their shows being infiltrated by the wrong kind of skinheads.
Oh I know. But minor threat and black flag used to have these neoNazis show up at their shows. I think he acknowledged that once he realized they wanted to use his frustration for oppression they stopped playing it. I think it was in, “this band could be your life”. Much like X hating the fans who cheered on “Johnny hit and run Pauline” from “decline of the western civilization”. It’s crazy how people twist things.
“Vamos a playa” by Righeira carries a lightweight, upbeat tune that vacationers might hum on the way to the beach. But the Spanish lyrics reveal that it’s about the devastation left behind by nuclear armaments. And the schism between trying to live an ordinary life whilst having a nuclear Damocles sword waver over your head. That it became such a world wide hit makes it all the more ironic. I love it all the more for it.
Ay dios mio! I never knew this and always thought of it as cheesy vacation song.
Richmen North of Richmond.
I love the sound, and at first it sounds like a pro worker union song (and it kinda is).
But there’s way too much dog whistle… An old soul in a new world… Dude the south lost and slavery is bad. I’m sorry
And then he slips in some super disappointing language about fat people on welfare.
An old soul in a new world… Dude the south lost and slavery is bad. I’m sorry
I think that’s an uncharitable reading. Which is understandable, but still.
I think that there are a lot of people–myself included–that would like to be able to make a living doing something that seems to matter, or where you make something. Like, factory work sucks in most ways, but it still feels like you’re doing something. Spreadsheets and order projections? Staring at a screen all day, sending polite emails to people you’ll never meet about ways to spend a lot of money electronically?
This “new world” of work and socializing ain’t great. I think it snuck up on a lot of people, and now a lot of people are feeling like they don’t know how to navigate the new reality of depersonalization.
I agree. Nearly every lyric in that song, when isolated, sounds fine and agreeable. Even when he attacks people on welfare “if you’re 5’- 3 and 300lbs, taxes ought not to pay, for your bags of fudge rounds.” Isn’t wrong.
Taxes shouldn’t be used by fat cats to get fatter. But he isn’t saying that. He is punching down and attacking a group of people who are suffering in “the new world” just like him, and a fucking bag of cookies is one of the few joys they can still aquire. He could have chosen to attack the elite, even if he only meant the ones to the North. He didn’t.
“It’s a damn shame, what the world’s gotten to, for people like me, and people like you.”
Sounds great. Now picture his audience. Who are they, and who are they thinking of when they hear that line?
This song is called “Richmen North of Richmond.” It’s the Northerner’s fault all these bad things are happening.
It’s that movie with Rowdy Piper and the glasses. You have to put them on to see the whole message. Dog whistling at its finest.
If he had made a few small changes it could have been a powerful pro-worker lament and I would be playing it to death. Instead it was #11 on Trump’s “Standing on the stage for 44 minutes swaying back and forth because America is so easy to con so why not?”
It’s a damn shame.
He is punching down and attacking a group of people who are suffering in “the new world” just like him, and a fucking bag of cookies is one of the few joys they can still aquire.
I know a lot of people that are quite overall politically liberal that feel this way. I know a lot of people that get upset at the idea of inmates being given “free” educations in prison because they still have student loans 20 years after school. People that support the ideas of helping people up, that are fully on board with LGBTQ+ rights across the board, think DEI is a good idea, think it’s critical that women have bodily autonomy, and so on, but still have a knee-jerk reaction to things that they don’t fully get, or haven’t had explained to them.
I don’t know if he meant the song that way, or what. I do know that the people coming into the White House in a few months aren’t likely to make things any better for people like him. Or people like you. Or people like me.
Wish I could just wake up and it not be true.
But it is. Oh it is.
